4X4 SPEC EFFCTS DV KT W WSTPK

$AU1,550.00
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4X4 SPEC EFFCTS DV KT W WSTPK
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This filter is :


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Special Effects DV Kit
 
Contains:  Color-Grad ND 0.6, Pro-Mist 1/4, Enhancing, Gold Diffusion 1/2, Filter Pouch
These Hollywood/FX? filters were originally designed for the TV and Motion Picture industry, but are now available to all photographers and videographers.
 
Pro-Mist? 1/4
  • This popular motion picture effect creates a special "atmosphere" by softening excess sharpness and contrast. It generates a pearlescent halo around highlights. Lighter grades are useful in toning down the excessive sharpness and contrast of contemporary film and lens combinations.
  • Great for portraits and scenics
  • Maintains focus
  • Often used to mute colors for exquisite pastel tones
Gold Diffusion/FX?
Many techniques have been developed for diffusing or softening images, whether to create a mood in a landscape or portrait or simply as an aid to make people look glamorous.

These filters produce silky-smooth textures, even in tight close-ups without sacrificing image clarity.  They offer the most advanced diffuser ever developed by Tiffen.
 
  • Adds soft, golden tint to shadows
  • Infuses images with a special warmth
  • Balances any mix of skin tones
ENHANCING? Filter
Makes reds, rust browns and oranges "pop", with minimal effect on other colors. Perfect for fall foliage, earthtone rock formations, architecture, woodwork, faded rustic barns and any photos where red, brown and orange subjects should be enriched or appear more intense.
  • Exclusive Tiffen filter
  • Creates brighter, more saturated reds, rust browns and oranges
  • Use with Polarizer for dramatic outdoor effects
  • Also available in DV Scenic ENHANCING Kit 3
 
Color-Grad? Neutral Density Filters
Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.
  • Part clear, part neutral density, with a smoothly graded transition between
  • A Color-Grad ND.6-to-clear is often best for balancing sky to foreground
  • Neutral gray appearance drops exposure